Moelyono, BERKACA DULU, 2020, OOC, 170 x

Ummi Shabrina, Equal, 2021, acrylic on canvas, 150 x 200 cm

A SOLO EXHIBITION

ANOMALY IN MATRIMONY

Ummi Shabrina

MAY 1 - JUNE 6, 2021

ANOMALY IN MARTIMONY:
THE TENSIONS BEHIND THE FANFARE OF THE SACRED PARADE

Not Available

My first encounter with Ummi Shabrina Damas (Ummi's) works on social media challenged my head. Her paintings are full of human figures in a naive style, appearing to be doing various activities between the house and objects in its space. The challenge I felt was the same as when I tried to find Waldo in a storybook from England called Where's Wally by Martin Handford. I was busy looking for easter eggs in her decorative paintings, but at that time I couldn't find them.

That morning I visited Ummi's studio to see her works in person, but I'm no longer looking for easter eggs. The sensation of that challenge immediately turned into an emerging excitement, it was exactly like watching a parade when we were kids. I remember the sensation of being crowded among the other spectators, but I still rejoiced. I also remember how it felt to be carried by my father to get a closer look at the viewer, but my father's feet had to collide with the legs of the hawkers. That is how it feels like, the heat, the crowd, the noise, but still being spoiled by the millions of colors, patterns, and attractions of figures appearing in the spaces created. There are things that feel odd because they have never been felt, but there is happiness that holds the eyes. Seeing Ummi's works makes me want to be in it to unravel the many events and emotions.

by

Lily Elserisa

Artworks