On Going

Past / Future

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On Connectivity

April 23-June 12, 2022

On Connectivity

Presenting diverse generations of artists from various backgrounds together, On Connectivity is a testament to Kohesi Initiatives’ intention to continuously reach out, collaborate, and establish relationships with artists as practitioners in the art scene through quality exhibitions.

With our limited time in this world, our legacy and existence can be defined by our connection with others. Our connections with others are built through communications, through conversations where words would carry meanings and together form sentences to express our intention together with our emotions. Words help us understand the world we live in as they are able to immortalize what we meant and feel. We are able to connect with others that share our thoughts and feelings through these words as our medium of expression.

by
Rifda Amalia
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Ritual Merilis

August 3-29, 2021

ART EXPRESSION AND INTERPERSONAL MOMENTS

Continuing the Line, Forming the Image


“To communicate our ideas and sentiments, we use many kinds of languages. The visual arts constitute one of those languages.” Art as Image and Idea, Edmund Burke Fieldman.

 

Continuing the Line! That is Abenk Alter's process in forming a drawing.1 Abenk starts a drawing by creating a line from one point to the next until it forms a surface, space, and shape. Abenk did it with the fastline method, by simply following the movement and control of his hand, continuing what was in the drawing.


Since childhood, Abenk loves to draw. His mother often gives him paper, tools such as pencils, pens, markers, and crayons for drawing. He draws something almost every day. This hobby that has been cultivated since childhood makes him familiar with lines and drawings. While he was still making music and often known as a singer/songwriter, Abenk never left his drawings.


by
Angga Wijaya
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Conviction

February 19 - April 3, 2022

Conviction

One of the keys to happiness is to accept sadness as part of the realities in life. That being said, this is not an encouragement nor an excuse for us to dwell in our own pessimism and stop every attempt in our pursuit of happiness. Instead, this is a call to cultivate a new mindset in understanding sadness, anger, and disappointments, not as negative emotions that need to be resisted or avoided, but as a moment or opportunity to reflect and understand ourselves.


Nevertheless, for the longest time, sadness and art have been associated as two sides of the same coin, in which depressive episodes have served as inspirations for artists – from poets, musicians, to visual artists – in producing their works. Therefore, it is unsurprising that we may have, inadvertently, perpetuated the myth of the tortured artists, which romanticizes frustrated feelings, chronic fatigue, anxiety, and mental stress as the prerequisites for the creative process. We admire figures like actor Robin Williams, poet Sylvia Plath, and painter Vincent van Gogh as the creative geniuses who produced extraordinary works because of their mental conditions. In recent years, as conversations around mental health become more widespread, we realize just how this mindset is wrong and dangerous. Williams, Plath, and van Gogh were the exceptions – their remarkable achievements in spite of their conditions were not common, and we all know the tragic way their stories ended. Prolonged sadness, depression, and sufferings are not to be normalized and glorified as the price of creative and artistic genius. Research has shown that being at peace and in good health are important factors that help us optimize our creativity and improve our artistic abilities. Then, what about artists who still use sadness as the source of inspiration for their process?

by
Nin Djani